Maggie describes the guitar and keyboard as her two greatest enemies.

Baekma – Korindie Bootlegs #2

Just listen to this as you read. Trust me, it’s therapeutic or something.

To reiterate, I don’t like writing about music, I like writing about people Here goes.

I met Baekma about a year back when I started doing photography. They were doing a set for Chance & Dan Do Korea at the Rocky Mountain Tavern. I only knew like 3 people there, Nice Legs and Myra Pearson, and I just got my camera.

I got all up in their faces. I took some moderately good photos.

Getting Mike to sing is like pulling nails, but it's worth it.
Mike McGrath – Bass, Vocals

Let’s cut to the chase. They’re a feminist band, but their bassist is a dude. You’d think that joke would have run dry by now, but it hasn’t, much to Mike’s potential chagrin. Although he’s too English and/or male to call me on my sexism, but you still can. (Full discretion, remember? Read adjacent.) The fourth woman in Baekma (FWB) is a title that will follow him for a while, even though they’re gone now.

Which is sad. The audio below is from their final show last week. I mean their final show period, which happened to happen last week. Happy? No. No I’m not.

Steph's final show in Korea.
Steph Bankston – Keyboard, Vocals

Steph and Eilis have both decided that it’s time to move on from Korindie’s reach, and they are being/will be missed. I imagine both of them getting really old (like AT LEAST 50) and sitting out on the porch with lemonade or whatever Ozzies drink, like dingo blood (lite) or some Vegemite smoothie shit, talking to their grand kids about all the crazy shit they did on stage in Asia (vRKT-MHOMPo) and how awesome it was, but thank fuck they left when they did, because otherwise they wouldn’t have done something awesome, like destroy the Republican party or prevent the next solar flare.

Ask if women can drum or not. I dare you.
Eilis Frawley – Drums, Vocals

I think I’m going to write a comic. The strong woman is a cliché, but I’d like to reimagine that stereotype, but add depth and personality to the characters. You know, to make them like people. It’ll sell a nillion* copies.

Maggie describes the guitar and keyboard as her two greatest enemies.
Maggie Devlin – Guitar, Vocals

Maggie will continue with a solo project. I bonded with her over our mutual love of pie and Taito Cheese and Onion crisps. (BTW, those are the only potato chips I will call crisps. Respect where respect is due.) Korindie will hound her until we hear something. (I’m serious, Maggie.)

Over the year I knew them, I think what impressed me most from my experience with them is the capacity to have meaning and yet have fun at the same time. This threw me at first, I saw it as an inconsistency. But then I realized it’s to keep you from going crazy.

Maybe I’ll see them in Europe next year. Or not. Probably will.

Will listen to this for now.

*nillion (n.) Equalling Zero.

That stage is fucking filthy dude.
Mike McGrath – Put on some fucking shoes, you damned hippy.

Photography Source: https://www.facebook.com/media/set/?set=a.289143784626769.1073741836.284882188386262&type=3

Audio Source: https://korindie.bandcamp.com/album/korindie-bootlegs-2

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